The film, grounded in the photo series titled "Right to be Flawed"—published on a-part.online, the official publishing platform of the Kadıköy-based aesthetic-modernist art collective apart Art Association—is a short videographic essay that aims, through a practice-based experiment, to test French thinker-sociologist Jean Baudrillard’s theory of simulation, the imperfection–perfection dichotomy within that theory, and the implications of this dichotomy in the context of art and image regimes.